When I think back on this course, if I remember nothing else, I’m sure I’ll still remember Jhally’s radical article, which is pretty unforgettable. That being said, I thoroughly enjoyed Berger’s uncertainty principle, which is one of the most practical applications of communication theory I’ve ever encountered and Bourdieu’s theory of cultural production underlies so much of all mass media studies. I’m sure I’ll draw on that again and again, especially given the critical lens applied to cultural production by Hesmondhalgh, which really helped me formulate my own opinion.
What makes Jhally’s apocalyptic view of advertising so memorable? Jhally’s wild opinion of advertising made me think about the true cultural role of advertising. Is advertising all bad?
Jhally believes that the weak correlation between material wealth and subjective happiness mean advertising is leading us away from happiness (Jhally, 2000), but is it really? In one of my favourite documentaries, Art & Copy, one of the ad executives explains how, “advertising makes food taste better, makes cars run better, it changes the perception of everything” (2009).
The old adage goes that “perception is reality”, so does that mean our perception of material entities as better through the lens of advertising means advertising makes the things in our “material world” to draw on Madonna better?
When I watch a commercial like the following Nike commercial, I’m amused and feel like going for a run. This advertisement makes me happy in and of itself and it doesn’t really have anything to do with the selling or collection of material goods. It’s just a good advertisement and good advertisements are relevant to our happiness and are formative cultural pieces.
Bourdieu focused on small scale cultural production versus mass cultural production, so he would not be interested in advertising as a means of producing culture, but it doesn’t change the cultural relevance of culture. As Jhally points out, it’s where our stories are told (Jhally, 2000). Think of the blurred lines between art and advertising. Andy Warhol’s soup can canvas or virtually every full page ad in Vogue are art forms and advertising. The ability to reflect and influence culture make advertising relevant and not as doomsday as Jhally wants us to believe. But I’m biased as a marketing person, what do you think?
Art & Copy Trailer. (2009, July 29).YouTube. Retrieved April 4, 2014, from https://www.youtube.com/watch?v=hLfvmiB4edI
Hesmondhalgh, D. (2006). Bourdieu, the media and cultural production. Media, Culture & Society, 28(2), 211-231.
Jhally, S. (2000). Advertising at the edge of the Apocalyse. In R. A. a. L. Strate (Ed.), Critical Studies in Media Commercialism (pp. 27- 39). New York: Oxford University Press.
Nike Free — I Would Run To You. (2012, April 11). YouTube. Retrieved April 10, 2014, from https://www.youtube.com/watch?v=xIfSPKYBcEo

I won’t delve too deeply into provincial history, but the PQ was founded in 1967 with the sole purpose of promoting Quebec’s separation from Canada. As the cause’s popularity waned, the PQ worked to reframe itself as a left-wing party that would stand up for Quebec within Canada for the time being, and only pursue independence when they judged the time right. That strategy — paired with a proposed France-style “secular charter” banning religious clothing in public institutions — brought them a great deal of support in rural Quebec, where uneven riding distribution — some would say gerrymandering (Allison, 2014) — has given thinly populated rural ridings disproportionate clout in the provincial legislature. As late as mid-March, the PQ’s victory seemed imminent.







